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編曲到一半卡住?Ableton Live 的 Session View 能幫你什麼

Ableton Live 軟體圖示 Ableton Live 11.2.10 資料更新 2023-02-22 閱讀約 6 分鐘

寫歌寫到一半,靈感斷掉,看著編曲軟體的時間軸一片空白,不知道下一步要放什麼。或者你已經有一堆零散的旋律片段、鼓點、貝斯線,卻怎麼排都覺得不對勁,拖來拖去就是組不成一首完整的歌。這種「有素材卻拼不起來」的卡關,是很多做音樂的人共同的困境。

傳統的編曲方式是把所有素材照時間順序排好,但靈感往往不是線性出現的。當你只是想快速試試「這段配那段好不好聽」,或想在演出時即時觸發不同段落,一條時間軸反而礙手礙腳。於是有些音樂軟體改從「即興、拼貼、即時觸發」的角度切入,讓你先在一個自由的空間裡亂試,試出感覺後再整理成完整作品。

Ableton Live 操作介面
Ableton Live 的操作介面

01Ableton Live 跟其他編曲軟體差在哪?

它最特別的是同時提供兩種工作視圖。Arrangement View 跟傳統編曲軟體一樣,把素材沿時間軸排列;Session View 則是一格格可以隨時觸發的格子,你可以把各種聲音片段放進去,用滑鼠或 MIDI 控制器即時開關、重疊、組合。這種設計讓「試東西」變得很直覺,不用先想好順序,先玩再說。

02它的 Session View 實際用起來是什麼感覺?

想像你把幾十個聲音片段擺在一個大面板上,每個片段都可以獨立播放或停止。你可以一邊放著鼓組,一邊試著觸發不同的貝斯或和弦片段,看哪幾個搭在一起順耳。找到喜歡的組合後,再把這些片段錄進 Arrangement View 排成完整歌曲。對習慣先亂試再整理的人來說,這個流程比直接面對一條時間軸順手很多。

03它能不能錄音?MIDI 編輯方便嗎?

可以。官方說明明確提到能從任何來源錄製音訊和 MIDI,也提供 MIDI 和音訊效果器、虛擬樂器。MIDI 編輯方面,它具備完整的編輯工作流程,可以處理音符、力度、長度等細節。不過實際編輯手感好不好,還是建議自己下載試用版操作看看,每個人習慣的編輯方式不太一樣。

04它內建的音色和效果器夠用嗎?

官方說明提到內建大量聲音、樂器和效果器,涵蓋合成器、取樣、EQ、壓縮器等常用工具。Intro、Standard、Suite 三個版本內容不同,Standard 和 Suite 有更多樂器、音色包和效果器。如果你需要特定類型的音色,也可以透過 Max for Live 擴充,社群做了很多免費或付費的裝置可以裝。

05現場演出用這套軟體實際嗎?

官方把現場演出列為主要用途之一。它會自動幫你對齊拍點,讓你可以即時觸發迴圈、播放軟體或硬體樂器、處理其他樂手的音訊輸入,不用手忙腳亂地對拍。Session View 的格子設計本來就很適合現場即時觸發不同段落,很多電子音樂演出者確實用它來做現場編排。

06新手學音樂製作適合用這套嗎?

官方說它「快速、有趣、直覺」,介面也強調可自訂。但要注意介面語言只有英文,不熟悉英文介面的人初期會比較吃力。另外它功能很多,Intro 版功能較精簡,對新手來說反而比較不會被淹沒。建議先從 Intro 版開始,或下載試用版摸熟流程,再決定要不要升級。

07做電子音樂的人是不是比較適合它?

它的即時音訊處理、時間拉伸、音高轉換、Audio-to-MIDI 轉換等功能,對電子音樂製作確實很實用。你可以把一段錄音直接轉成 MIDI 再編輯,或把任何音訊素材任意變速變調。不過這不代表其他曲風不能用,只是它的工作流程設計上,對以片段拼貼、電子聲響為主的創作方式特別友善。

08我英文不好,介面只有英文會很卡嗎?

會,這點要老實說。它的介面語言只有英文,沒有中文選項。如果英文閱讀不順,初期光是搞懂每個按鈕和選單的功能就要花不少時間。雖然網路上有很多教學影片可以參考,但操作時還是得面對英文介面。英文真的不行的話,可以考慮其他有中文介面的編曲軟體。

09我只有 Mac 或手機,能用嗎?

官方 FAQ 說它目前提供 macOS 和 Windows 版本,你提供的資料顯示支援 Windows 10/11 64 位元。手機和平板沒有原生版本,只有第三方 app 可以跟 Ableton Live 專案做某種程度的整合,但無法完整使用這套軟體。如果你主要用手機或平板創作,這套軟體現階段不適合你。

10想跟朋友線上一起做音樂,這套行嗎?

官方 FAQ 明確說它沒有原生支援即時協作。你們可以互相交換專案檔或音訊檔來合作,但沒辦法像 Google Docs 那樣兩個人同時在同一個專案裡編輯。如果你很需要即時線上協作,這套軟體做不到,得另外找其他工具搭配,或考慮其他有協作功能的音樂軟體。

11預算有限,試用版夠用嗎?

它的授權型式是 Trial,代表你可以先試用再決定。但試用版通常有功能限制或使用期限,實際限制要看官方規定。如果你只是偶爾做做音樂、不想花錢,可以考慮其他免費或開源選項,例如 MuseScore 雖然定位不同,但至少是免費的。長期要認真做的話,再評估付費購買哪個版本。

12它跟 Cubase、REAPER 那些比起來,我該選哪個?

這要看你的工作習慣。Ableton Live 的強項是 Session View 的即興創作和現場演出流程;Cubase 和 REAPER 在傳統線性編曲、混音方面有各自的擁護者。評分方面,Cubase Pro 有 501 人評分,REAPER 有 117 人,Ableton Live 是 277 人評 7.58 分。建議先想清楚你主要做錄音混音還是做電子音樂、現場演出,再下載試用版實際比較。

下載與官方連結

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ableton_live_trial_11.2.10_64.zip · 連結指向軟體原廠

版本紀錄

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這一版改了什麼

What's new in this version:

New features and improvements:
Capture MIDI:
- A sequence of Capture MIDI attempts will not be biased by the tempo of previous captured clips
- More material will be kept by Capture MIDI when the transport is playing
- When Live's transport is stopped, Capture MIDI now requires a slightly longer gap to detect new phrases

Clip View:
- Opening a Note Set in Live where the Set has the In Key setting switched on will now activate each clip's Scale Mode (except in tracks containing Drum Racks). Scale Mode is toggled with the Scale button in the Clip panel of the Clip View for MIDI clips.

Cloud in Live:
- In the Cloud tab of Live’s browser, the Date Modified column now appears as Cloud Modified
- The Cloud Sign In button has been expanded to fit translated texts
- A loading icon is now displayed next to the Cloud label when syncing Sets
- After signing out of Cloud in Live, the Manage Cloud tab of the ableton.com User Account no longer shows an active session
- When transferring Note Sets to Live, the Sets will now be visible in the Cloud label in Live’s browser. They will appear grayed out until the sync is complete.

Control Surfaces:
- The Record button on ATOM, ATOM SQ and MiniLab 3 Control Surfaces will now record the view in the second window when it is in focus. Previously, it would always record the view selected in the main Live screen.
- Added Control Surface support for the AKAI APC Key 25 mk2 and APC Mini mk2.
- Improved the parameter mappings for Hybrid Reverb and Phaser-Flanger in the AKAI APC Key 25 mk2, APC Mini mk2 and Arturia MiniLab 3 Control Surfaces.
- Improved the parameter mappings for Drum Buss, Hybrid Reverb, Phaser-Flanger and Redux on Push and in the AKAI FORCE and Novation SL MkIII Control Surfaces

Device Improvements:
- The Pitch MIDI effect UI has been slightly updated
- In Audio and MIDI Effect Racks, chains are now automatically named based on whichever devices are added

Interface:
- Updated various Help View lessons
- Updated various software texts in English and Simplified Chinese
- Updated the software texts for the Electric device
- Updated the appearance of the "Record/Warp/Launch" tab in Live's Preferences
- Added support for MIDI files with the .midi extension
- When viewing search results in Live’s browser, plug-ins are now organized as expected when sorting by Type
- The Follow button in the Control Bar is no longer hidden when selecting multiple clips in Arrangement View
- When switching audio devices with the Use System Device option activated, Live no longer displays a dialog window about system devices if the device change doesn't impact the current device selection

Max for Live:
- Updated the bundled Max build to version 8.3.3. For the changelog
- A new accessor in the C++, Python, and Max for Live APIs allows users to directly access the chain selector of a RackDevice in Max for Live instead of indexing into a parameter list.
- Users can now access Live's full version string (instead of only the major, minor, and bugfix version numbers) using the Max for Live API.
- Two new properties in the Max for Live API allow users to observe the latency of a device in either samples or milliseconds.
- A new property in the Max for Live API allows users to observe the number of visible Macro Controls for a RackDevice.
- Improved the sorting of output when getinfo is called on a live.object by making a Rack Chain selector a child property of RackDevice rather than a simple value property.
- Updated the LOM documentation to correctly reflect the available values when getting a device’s type
- LiveAPI: A Compressor's input_routing_channel and input_routing_type are now settable
- The properties of the Shifter device are now accessible via Max for Live
- Push
- Updated some parameter names for the Reverb device on Push 2
- Setup
- The Export Audio/Video dialog is now slightly larger to accommodate translated texts
- When exporting multiple tracks, the option to also export video at the same time is now deactivated in the Export Audio/Video dialog.
- Introduced a Use System Device Option in the audio input/output choosers in Live’s Audio Preferences on macOS. Selecting Use System Device will set the input/output device in Live to match what is set in the macOS Sound System Preferences.
- If the Use System Device setting is chosen for audio input or output on macOS and the System Audio Device changes, Live’s audio engine will turn off, and a dialog window will appear. The dialog window will prompt you to either accept the changes made by the system or configure Live’s audio settings on your own.

Fixed:
Live Bugfixes:
Fixed two bugs relating to Link:
- Fixed a bug where Live would sometimes play out of alignment with Link peers when starting playback somewhere after a time signature change
- Fixed a bug where Live’s playhead would move around unpredictably when clicking in the Scrub Area to jump playback into a section with a different time signature while Link was enabled
- Fixed a bug that disabled file synchronization between Live's browser and secondary drive volumes on macOS
- Fixed a bug on macOS that would sometimes prevent Live's UI from updating (and sometimes scaling incorrectly) after connecting or disconnecting an external monitor
- Fixed a bug that caused the minimum parameter values of AU plug-in presets to load instead of their assigned values
- Fixed a bug that incorrectly cropped a warning text in Live's Audio Preferences when the text becomes too long
- Fixed a bug that sometimes caused .als files saved in Collections to disappear from the list when using the “Save Live Set” or “Collect All and Save” commands in the File menu
- Fixed a bug where Live would sometimes fail to auto-update when the application was renamed to fit the exact version number (e.g. “Ableton Live 11.2.5 Suite”), and then placed in a folder of the same name
- Fixed a bug where the blue modulation dot would not appear next to modulated sliders immediately after adding a modulation envelope for it
- Fixed a bug that would occur when dragging device chains that contain external files (e.g., the LFO device) into a folder that is not in the User Library. This previously created an entirely new Project folder, even if the Collect Files on Export setting in the Library Preferences was set to “Ask” or “Never,” and the dialog box that appeared when moving the file was not set to copy it.
- Fixed a bug where Sets with emojis in their title would stay in the Cloud tab of Live’s browser, even after removing them from Cloud in Note.
- Fixed a bug that caused Live to remain synced to an external MIDI clock even when the corresponding MIDI port’s Sync input was deactivated.
- Fixed a crash that occurred when renaming samples in selected Drum Rack pads that were outside of the Rack’s displayed Pad Overview.
- Fixed a crash on Windows that occurred when using the [right-click] context menu to rename an audio/MIDI clip or locator while it was already being renamed. Now, right-clicking a clip or locator while renaming it no longer opens a context menu.
- Fixed a crash on macOS that sometimes occurred when selecting an audio output device in Live’s Audio Preferences and disconnecting it shortly thereafter.
- Fixed a crash that occurred when dragging a Session clip away from its original track, holding it over another track long enough to select it, and proceeding to drop it into Live’s browser.
- Fixed an issue that caused disk overloads when using MIDI notes with randomized velocities to play Sampler presets in certain Packs (such as Session Drums Club)
- Fixed an issue in the MackieControl and MackieControl Classic Control Surface scripts where exclusive arming wouldn't work in some cases.
- Fixed an issue in the MackieControl and MackieControl Classic Control Surface scripts where changing a track's input type could leave Rec/Rdy LEDs in incorrect states
- Fixed an issue where under certain circumstances, Draw Mode in the Velocity and Chance Editor lanes did not work correctly when editing multiple clips
- Fixed an issue where under certain circumstances, drawing ramps in the Velocity and Chance Editor lanes when editing multiple clips did not correctly highlight affected notes.
- Fixed an issue that caused a value range to be displayed when using the [ALT][Shift] keys to draw linear ramps in the Velocity and Chance Editor lanes instead of a fixed value.
- Fixed an issue where drop-down menus in Live’s Preferences would disappear when the initial mouse click was released if the menu was clicked on the leftmost side.
- Fixed an issue where clicking the empty area beneath scenes in the Master track would not select the Master track.
- Fixed an issue with Sampler devices in Drum Rack pads that created disk overloads under rare circumstances.

Fixed two bugs relating to emojis in Live:
- Fixed a bug where Set names with emojis would stay in the Cloud tab of Live’s browser, even after removing them from Cloud in Note
- Fixed a regression on macOS where folders saved in the Places section of Live’s browser wouldn’t show any contents if a folder name contained certain emojis
- Fixed a regression on Windows where keyboard shortcuts with the copy modifier [ALT] would not work after using the [F11] shortcut to enter and exit Full Screen Mode until you pressed another key first
- Previously, loading an instance of the Shifter device with the Delay parameter enabled would cause timing and pitch issues during playback
- Previously, crashes on macOS caused by a specific VST2 plug-in would open a Help View lesson that displayed the name of the faulty plug-in along with a few common troubleshooting tips. Due to changes in macOS crash reporting, this feature has been removed.
- Previously, video export failed when a warped video clip contained a Start or End marker before the start or after the end of the video.
- When dragging or [Shift]-dragging a Warp Marker within a video clip, Live's Video Window now displays the video at the position of the Warp Marker
- Double-clicking the right edge of Live’s browser now folds the window as expected
- Loading older Live Sets, presets, and samples created on macOS will no longer cause Live or the Indexer to crash on Windows if the content contains a forward slash (e.g. “Clip 1/8.adg”)
- Opening a pop-up menu with [Enter] then closing it with [ESC] now works as expected
- When using Capture MIDI with Reduce Latency When Monitoring enabled, the resulting MIDI clip now has the exact timing as what was played
- Certain UI elements of the Spectral Resonator, Spectral Time, and Limiter devices are now consistent with Live’s color palette when using the Dark Theme
- The Optimize Arrangement Width command (accessible via the [W] shortcut) now ignores invisible take lanes.
- Metal rendering is now turned off for macOS 10.13 High Sierra to fix issues that arise when using Full Screen Mode. Metal rendering can be restored using the "-_MacOSForceMetalLayerOnHighSierra" debug option in the Options.txt file.
- Packs will now be selected in Live’s browser when they are finished installing.
- Loop start/end markers for audio clips are now properly aligned with the borders of the Push 2 display.
- Nudging clips on linked tracks now works as expected.
- Under certain circumstances, launching different Rack Macro Control variations would create ramps in recorded automation envelopes due to missing endpoints. These envelopes now appear as discrete automation line segments.
- Using [Shift]-click to select clips in Arrangement View now shows the correct selection lengths in Live's Status Bar.
- When using [Shift]-click to extend the time selection of linked tracks with take lanes, the selection is no longer extended to all lanes.
- Main menus on Windows can be accessed in Full Screen Mode by using [ALT] + character shortcuts.
- When using scene Follow Actions to switch between scenes with different tempos, Live now correctly changes tempo with a scene change even when the Arrangement loop is activated. Previously, if the Arrangement loop was on, the tempo would prematurely change when reaching the end of the Arrangement loop brace.
- Fixed a bug which prevented the Optimize Arrangement Width button from working correctly when loading Note Sets in Live
- When loading a corrupt Live Set containing non-unique Pointee IDs, Live now automatically offers to repair the set
- Fixed an issue where Live sometimes would not update the UI when switching between viewing note-on and note-off velocities in the MIDI Velocity Editor
- Fixed a bug which prevented adaptive grid modes from working correctly. The grid lines now reappear as expected when zooming out after having previously fully zoomed in.
- Fixed a regression which prevented the Expression Control device from recalling mappings to certain parameters when loading a Live Set or preset
- Fixed a bug which caused the Reverb device to stop outputting sound when using long predelay times
- Fixed a crash that occurred when connecting to audio system devices when no output device was available
- Fixed a regression that prevented the MackieControl and MackieControl_Classic Control Surfaces from working correctly in Live Sets that contained Group Tracks

Max for Live Bugfixes:
- LiveAPI: A Compressor's input_routing_type now correctly returns input_routing_type instead of the input_routing_channel